Indiana Jones and the Fate of Atlantis - Manual

The year is 1938, Indiana Jones, famed archaeologist adventurer, has
come across two artifacts -- a minotaur statuette and a mysterious
bead -- that he believes might be evidence that Atlantis did, in fact
exist.  When the artifacts are stolen, Indy discovers that the thief
has been carrying a magazine article about a psychic specializing in
the lore of Atlantis.  "Madame Sophia" turns out to be Sophia Hapgood
a long-ago colleague of Indy's.
Indy finds Sophia in New York City, where the thief appears again,
this
time relieving Sophia of her Atlantean artifacts.  Despite his
skepticism
about Sophia's mystical approach to Atlantis, Indy agrees to let her
acompany him in his search for the fabled island.
Indy and Sophia have no way of knowing that the thief is Klaus Kerner,
a top Nazi agent working for Dr.Hans Ubermann.  Using the stolen
artifacts and one of the beads (called `orichalcum'), Ubermann
confirms
his theories regarding the incredible energies stored in the beads.
Kerner is dispatched on a hunt for the presumed source of orichalcum:
Atlantis.  He is determined to succeed in his quest, and isn't about
to let Indiana Jones stand in his way.
Meantime, Indy and Sophia have made their way to Monte Carlo, seeking
on Alain Trottier, a dealer in antiquities who, they hope, can help
them in their race against the Nazis to discover... THE FATE OF
ATLANTIS!

GETTING STARTED

To start the game on your computer, please use the reference card
included with the game.  It contains all the instructions specific
to your computer.
The game opens with a series of stills depicting the events leading
to the arrival of Indy and Sophia in Monte Carlo, followed by the
credits screen, the high score table, and a "movie" showing gamelay
hints and highlights.  During the movie, you can change the camera
angle, or you can press the space bar to restart the sequence.
Pressing the space bar during the title screen will load the actual
game.
Once you've started the program, a screen will appear displaying a
two character code and a window designation.  Align the first and
second characters onj the outer and inner sections of the code wheel
and enter the corresponding code revealed in the designated window
The game will begin after the correct code is entered.
At anytime during the title, credits or high score screens, you can
press the F3 key to access the Options Screen and use the game's
default control settings.  Check your reference card for a list of
the default settings on your computer.

THE DISPLAY

The display consists of the following elements:

-> The ACTION SCREEN is the largest part of the display.  This is
   where the animated actions takes place.
-> the HEALT METER appears in the upper right-hand corner of the
   display.  It shows the currently selected character's health, and
   will drop if the character is hurt (health can be partially
restored
   by eating chocolate).  If the health level drops to a critical
level
   the character is knocked out, captured and imprisoned by the Nazis
   it will then be necessary for the remaining character to rescue him
   or her.  If both characters are captured the game ends.
-> The COMPASS is located in the upper left-hand corner of the display
   It shows the direction of the exit from the level, relative to the
   Current character's position.  The compass needle will spin when
you
   are at the exit point.
-> The TIMER appears on the left hand side of the screen.  It is
activated
   when certain time sensitive events are set in motion -- if it
completes
   a full sweep, the game is over.
-> The SELECTED CHARACTER ICON indicates which character you are
currently
   directing, and appears in the lower left-hand corner of the
display.
-> OTHER CHARACTER STATUS is shown on the bottom of the display.  The
   moving sine wave represents the health of the other character:
green
   indicates that health is good, yellow means that health is
critical.
   If the sine wave turns red, the other character has been captured.
The
   sine wave begins to flash when the other character is engaged in a
   fight.  The green button means that the other character is in `go'
mode
   a red button indicates that you have told the other character to
`stop'
   for further information see controlling the camera action and
characters
   below.
-> The INVENTORY, located in the lower right hand corner of the
display,
   shows the item currently in use.

CONTROLLING THE CHARACTERS AND THE CAMERA ANGLE

As the game begins, you are directing Indy in Trottier's casino in
Monte
Carlo.  Sophia is elsewhere in the building.
You can move either Indy or Sophia by using the Keyboard, joystick,
mouse
The keyboard is always active; other devices must be selected on the
Options Screen prior to starting the game.  See your reference card
for
a description of the keyboard, joystick and mouse settings for your
computer.
By pressing the SWITCH CHARACTER key, you can switch control to Indy
or
Sophia.  You have full control over the character to whom you have
switched (the `current character'); the other character's actions are
determined by the mode in which they have been set.
`Go' mode allows the other character to wander freely through the
location
under computer control.  `Stop' mode limits the range to a smaller
area.
To change the current character's mode, select the appropriate button
(red for `stop' or green for `go') in his or her inventory, and press
USE key.  To quickly change the other characters mode, select the
appropriate button and press the USE key twice.
Indiana Jones and the Fate of Atlantis features the ability to view
the action from any of four angles.  Using the cameras, which are
placed north, south, east and west of any game action, will give you a
better idea of the areas you're exploring, and can sometimes reveal
objects -- even doorways -- that would otherwise remain concealed.
Your
reference card lists the keys that control camera angle switching.
During their quest, Indy and Sophia will often find it necessary to
defend themselves when attacked.  To fight with an opponent make sure
you have a weapon selected, then face your opponent and press the USE
key.  At first, Indy can USE only his fists or his whip, while Sophia
delivers a surprisingly effective kick if you have selected the shoe
in her inventory.  As the game progresses you'll find other, more
effective weapons.
If you fight well enough, you will knock out your enemy.  This can be
your chance to escape the conflict, though your opponent might have
dropped useful items such as chocolate or money.  But be careful: an
unconscious enemy will soon recover and renew his attack.
Remember, the OTHER CHARACTER might wind up in an altercation while
your current character is engaged elsewhere.  Keep an eye on the other
character status display; if the sine wave begins to flash, you might
need to switch characters and take over the fight.

MESSAGE ICONS

From time to time, characters in the game will need to communicate
with you.  Since neither Indy nor Sophia speak the local languages,
the
messages appear in the form of icons which you will have to translate
using the following chart:

 () `THANKYOU.  HERE ARE YOUR CHIPS'

 /\ `THANKYOU.  HERE IS THE CASH VALUE OF YOUR CHIPS'

 [] `SORRY, THIS TABLE IS CLOSED'

-|- YOU CANNOT CARRY ANY MORE

 \/
 /\ `IM SORRY, NO CASH AT THIS TABLE.  PLEASE SEE CASHIER TO GET
CHIPS'

 -
 -  `BET FORFEITED -- YOU MUST REMAIN AT THE TABLE UNTIL YOUR BET HAS
 -  BEEN RESOLVED

 ><    `IM SORRY, YOU HAVE LOST YOUR BET'
   
  /
\/     `CONGRATULATIONS, YOU HAVE WON YOUR BET'

 /     DO NOT HIT THE HOTEL GUESTS

() ()  `PLACE YOUR BET'

() /\  `THIS IS WHAT I HAVE TO OFFER.  WHAT INTERESTS YOU?'

() []  `MAKE ME AN OFFER'

() -|- `DO NOT INSULT MY INTELLIGENCE WITH SOUCH PETTY AMOUNTS'

() \/
   /\  `ENOUGH HAGGLING!  I HAVE LOST PATIENCE WITH YOU; GO AWAY FOR
NOW'

() -
   -
   -   `YOU CANT LEAVE WITHOUT BOTH A MAP AND LOST DIALOGUE'

() /   `ENTER SECURITY CODE'

() O   `THE SECURITY CODE IS CONCEALED IN THE LOST DIALOGUES'

/\ ()  `PERISCOPE NAVIGATION CONSOLE


SELECT DESTINATION...


/\ /\   YOU NEED WIRE CUTTERS TO DEFUSE THE BOMB

/\ []   CHOOSE FIRST WIRE TO CUT

/\ -|-  TO DEFUSE THE MARK II EXPLOSIVE DEVICE, CUT THE WIRES IN THE
        FOLLOWING SEQUENCE

/\ \/   TREAD NOT UPON THE GREAT MACHINE
   /\

/\ -
   -
   -    NONE SHALL PASS UNTIL OUR KING IS PLEASED

/\ O    THE KING EXPECTS TRIBUTES IN SUFFICIENT NUMBER

[] ()   CHOOSE SECOND WIRE TO CUT

[] []   SELECTED DESTINATION HAS BEEN REACHED

[] -|-  MESSAGE DECODER (TO BE USED WITH GERMAN MORSE CODE)

[] \/   BOTH OF YOU SHOULD LEAVE NOW
   /\

THE LEVELS

-casino

 You'll start out in the casino in Monte Carlo: the roulette tables
are
 rigged; can you crack the system and beat the house?  Find Monsieur
 Trottier and strike the best deal you can for the artifacts and
weapons
 he offers for sale -- keep an eye out for part one of the Lost
Dialogue
 of Plato.
 Now that the Nazis know your here, you wont be able to get back out
 through the front door... once youve figured out your next move,
youll
 have to find another way out of the casino.

-Naval Base

 Evade the search lights outside the Nazi-controlled naval base and
try
 to get both Indy and Sophia inside the perimeter fence.  Find the
secret
 entrance to the submarine bay below: you'll need to crack a code to
 access the elevator.

-Submarine Bay

 No combat here, just quick thinking and even quicker actions.
Ubermanns
 research submarine is about to depart -- destination: Atlantis.  The
 alarm has been sounded; the Nazi's know you've escaped the Naval
Base.
 get Indy and Sophia abroad that submarine before the timer counts
down
 and the sub leaves (the loading crane looks like you best bet).

-Submarine

 The Nazis know you're abroad, and they've bobby trapper the conning
 tower.  Before you can search the sub, you;ll have to somehow deal
 with that bomb...before the timer counts down!
 Make your way into the secret laboratory on board the sub.  You'll
 be confronting Nazi agent Klaus Kerner in one of those labs -- and
hes
 armed with acid bombs!
 Find the periscope so you can steer the submarine to the islands...
 one of them has to be Atlantis!

-Islands

 These islands might seem identical, but beneath one lies the lost
 continent of Atlantis.  You'll have to find a way to appease the
 islands `chief before the natives capture you.  You'll have to get
 chiefs sacred cave... otherwise, you'll never learn whether you're
 on the right island.

-Atlantis

 Nazi soldiers are verywhere on the race to the heart of Atlantis
 you will have to fight them off as you work out how to activate
 the Atlantean machines in the outer sanctum.
 Once you've made your way to the inner sanctum, you'll be under
 attack by some pretty gruesome creatures... find out where they're
 coming from and try to put a stop to it... before its too late.

	        		 -=END=-                           
      


SKID ROW presents:

INDIANA JONES AND THE FATE OF ATLANTIS SOLVE
 
INTRO 
----- 
 
You can skip the intro by hitting ESCAPE. 
 
Or you can play it. Here's what you have to do: 
 
Click on the pecuilar statue just to the right of you. You'll fall into 
the next room. Now, click on the rope to the right. Hit ESCAPE once to 
bypass the credits, but still play the intro. 
 
You'll fall into a library. Click on the books on statues to the left. You 
will fall again. Click on one of the four cat figurine. One of them is REAL. 
 
You will fall into the basement. Click on one of the lockers. One will 
have a statue inside. Like some things in this game, it's random. Get 
the horned statue and you're done with the intro! 
 
I thought that was a nice way for a game to begin. 
 
THEATER 
------- 
 
Pick up the newspaper. Go to the back entrance. To get pass Biff the guard, 
just say that Madame Sophia is the greatest; she's smart. And when he 
asks you what he likes about her, tell him that she makes things so 
easy to understand. 
 
Inside, talk to the stagehand. Keep bugging him. You'll have to watch 
Sophia's oration about Atlantis or you can ESC it. 
 
Ask him if he wouldn't rather be doing something... like READING. Then 
give him the newspaper. 
 
Play around with the levers until the three lights on top turn green, 
then push the button. 
 
You can talk to Sophia in her office or you can just ESC through the whole 
thing and go straight to Iceland. 
 
ICELAND 
------- 
 
Go inside the dig site and talk to Dr. Bjorn Heimdall. Talk to him about 
Plato's Lost Dialogue. He'll tell you to speak with Costa and Sternhart. 
Go to Tikal first. 
 
TIKAL 
----- 
 
Go into the jungle. You want to take the dark jungle path in the middle. 
To get pass the snake, chase the jungle rodent until he's at the entrance 
of the dark jungle path; then use your whip on it. The snake and the rodent 
will fight and fall over the chasm. Walk on the tree to get on the 
other side. Try to go into the temple and Sternhart will come out and stop 
you. You have to tell him the name of Plato's Lost Dialogue before he 
lets you in. Just say you don't know the title. And the parrot the tree 
will echo "title." Ask the parrot about title and he will tell you it's 
Hemocrates, a friend of Socrates. Try to go into the temple to get 
Sternhart out; this time, answer The Hemocrates. 
 
Inside the temple, ask Sophia to keep Sternhart busy. Now go outside and 
get the kerosene lamp while they're talking. Go back inside the temple. 
Open the kerosene lamp (Sternhart will remark that you took his lamp, but 
who cares). Use the lamp on the spiral designs on the left. Now pull 
the spiral design to get it. Use the design on the animal head on the 
left. Pull the elephant nose to open the tomb. Sternhart will take 
off with the Worldstone. Don't worry; he'll get what's coming to him 
later in the game! Just pick up the orichalcum bead instead. Now fly 
back to Iceland. 
 
ICELAND (again) 
--------------- 
 
Go into the old dig site. Poor Dr. Heimdall has frozen to death. Use the 
orichalcum bead on the exposed eel head. Get the eel figurine. Now fly 
to The Azores. 
 
THE AZORES 
---------- 
 
Talk to Sophia and tell her to talk to Costa. Ask him about Plato's Lost 
Dialogue and where it is. He'll want to trade for something ... like 
Sophia's necklace. Refuse and ask Costa if he'll do business with Indy 
instead. Return control back to Indy. Now talk to Costa and give him 
the mysterious eel figurine. He'll tell you that Plato's Lost Dialogue 
is in the Sprague Collection. Now, sometimes the game will say Pearce 
Collection instead of Sprague, but either case you'll fly back to 
Barnett College. 
 
BARNETT COLLEGE 
--------------- 
 
Go down into basement. Get the dirty rag and the piece of coal. Go up 
to the library. Look at the school desk; get the wad of gum. Climb up the 
rope. Get the arrowhead to the right. Look carefully; it's damn small 
and easy to miss. Push the big crate to the left. It'll reveal a dusty 
old box. Now, I think if Costa tell you it's in the Sprague Collection 
the dusty old box will be the Pearce Collection, and vice versa. 
 
In any case, climb down the rope into the library again. Use the dirty 
rag with the arrowhead. Use the wrapped arrowhead with the screw on 
the tipped-over bookcase. Unscrew all five screws. Open the bookcase. 
You now have Plato's Lost Dialogue. Now fly to Algiers first. 
 
ALGIERS 
------- 
 
In Algiers, go all the way to the left and into the back alley. Go into 
Omar's Antique Shop. Get the mask. Omar will stop you; just ask him how 
much the mask cost and he'll give it to you free. Now talk to the 
knife thrower. And he'll say that he needs a volunteer. Then talk to 
Sophia and tell her how safe it is and how dexterous the knife thrower is. 
When Sophia's walks up to the knife thrower, PUSH her. And you'll get 
a nice knife in return. Now fly to Monte Carlo. 
 
MONTE CARLO 
----------- 
 
Now you got to find Trottier. Alain Trottier is the guy in the brown suit and 
grey hair. Talk to him. Tell him you're Indiana Jones from Barnett College. 
If you tell him you're the greatest adventurer he'll tell you go bug off. 
In this case, go inside the hotel and talk to Sophia. She'll tell you to 
name drop Nur-Ab-Sal. Go back down and talk to Trottier again and tell 
him Nur-Ab-Sal send you. He'll ask a question about Atlantis. The answer 
can be found by read Plato's Lost Dialogue. Then ask him to come up to 
see Madame Sophia. Don't say that Madame Sophia wants to trade wisdom, or 
come up to see the greatest show. Just get him up to the hotel room. 
 
In the room, tell Sophia to keep him busy while you try something while 
they're talking. Open the cabinet under the mirror and get the flashlight. 
Get the bedsheet. Open the fuse box. Pull the circuit breaker. Lights out! 
Use the bedsheet; use the flashlight; use the mask. In that order. 
Trottier will run out of the room, leaving the Sunstone behind. Now 
go outside and use the taxi to fly back to Algiers. 
 
ALGIERS (again) 
--------------- 
 
Go back to Omar's shop. Tell him you're interested in Atlantis and show 
him the Sunstone as proof. He'll tell you that he's made a map of a 
dig site. Tell him that you'll go in his place to check the site out. 
Don't worry if you come back empty handed. He'll ask you if you'd like 
to trade your mask for something. Say yes. Take the item Omar offers when 
he says something like red wagon, yellow scarf, etc. It's the color 
that's important, not the item. And it changes from game to game. Just 
take the item and offer it to the grocer (he's outside to the left 
of the knife thrower). 
 
If the grocer tells you he won't accept gift for himself and not of this 
color, go back to Omar's and trade it for another item, but of DIFFERENT 
color this time. Keep trying items of different colors until the grocer 
says something like this is a pleasant color. Once you know the color he 
wants it's just a matter of picking the right item. 
 
Once the grocer gives you the squab-on-a-stick, give it to the beggar and 
he'll let you have the balloon ticket. Go up to the roof and show 
the ticket to the balloon vendor. 
 
Get in the balloon. Once you're up in the air, cut the rope with the 
knife. 
 
UP IN BALLOON 
------------- 
 
It shouldn't be too hard to figure out how to fly the balloon. Just land 
at each nomad camp and ask him about the map. He'll point you in the right 
direction. Sail to the "X" when you see it; you'll get shot down. Go left 
to the abandoned dig site. 
 
ABANDONED DIG SITE 
------------------ 
 
You'll have to get Sophia out of the hole. Go down the ladder. Turn up 
you monitor's brightness and contrast (if you have them) if you're in the 
dark. Get the long rubbery thing (it's a hose). Get the clay thing (it's 
a clay jar) to the right of the track. Go back up to the truck. Use 
the hose with the gas tank; use the jar with the hose to get the gasoline. 
Go back down the ladder. Use the gas-filled jar with the metal cap. Turn 
on the portable generator. Now, pick up a ship rib. Use the rib on the 
crumbling wall to the right. Pick up the wooden peg on the table. Ues it 
on the mural. Use Sunstone with peg in hole. Use the Sunstone. Look at 
Plato's Lost Dialogue to find out how align the stone. This changes 
from game to game! Sophia will come out if you align the stone correctly. 
She'll give you an amber fish on a string (orichalcum detector) and 
a distributor cap. 
 
Open up the generator. Turn if off and get the ceramic thing, which is 
the spark plug. Go back up to the truck. Stick spark plug and distributor 
cap in engine, and close the hood. Get in truck and go to Crete. 
 
CRETE 
----- 
 
Go to your right and follow the path. Go up to the log bridge and go ALL 
the way to the left. Get the surveyor's instrument. Now go down to 
the dig site. Explore all the rooms until you come to a mural. Again, 
the location of the mural varies from game to game. (I really hate 
it when Lucasfilms does this; makes writing a solve THAT much harder.) 
Once you found the mural go outside and locate the tall horns; they're 
in the center of the site. Look at the stone to left of the horns; you'll 
see a statue; use the surveyor's instrument on it. Align the crosshair 
so that it points to the left tall horn. Click on the crosshair. You should 
see a dotted line shoot out with an "X" trailing it. Look at the stone 
to the right of the tall horns and do the same; the same thing should happen. 
You'll now see an "X" on the ground. Dig with the ship rib and get the 
Moonstone. 
 
Leave the dig site and go to the right. Use Sunstone and Moonstone on spindle. 
Consult Plato's Lost Dialogue for the proper alignment. Go inside the 
Greater Colony of Atlantis. 
 
[NOTE: From this point on, everything's from my memory. I'm currently using 
OS/2 and switching between the game and Qedit to write this solve. I over- 
wrote some of the saved games and I really don't want to replay the whole 
thing. So I may accidently leave some steps out, or my description of 
things will be a little vague.] 
 
GREATER COLONY OF ATLANTIS 
-------------------------- 
 
Explore the area a bit. Walk around until you come to a minotaur statue. 
Use your whip on the statue's head. Walk to the fallen statue's head. You'll 
go down. Get the staff and Worldstone from Sternhart (he got what he so richly 
deserved). Look at the waterfall to the right. Use the chain and climb up. 
Get those statue's heads (it's near the entrance). Don't worry; without Sophia 
you can pick up the last head and just make it through the closing gate. 
Put those three head on the other shelf/lever. Go inside the gate. Use 
the staff to free the counterweight. Walk around until you see a big 
statue of a head. Use the staff on its mouth. Up you go; get the gold box. 
Go back to where Sophia is. Give her the orichalcum beads and gold box. 
Go north and through the door. You have to talk Sophia into climbing in 
that small hole. She'll pull the pulley to open the gate. 
 
Go through the gate and walk around until you come to a room with a 
crumbling wall (you won't see it say that when you cursor around) with 
a pile of bones on the left and a broken column on the right. Use 
you orichalcum detector (amber fish on a string). Use ship rib on crumbling 
wall. Go to map room of Atlantis. Use all three stones on the spindle. 
Once again, consult Plato's Lost Dialogue for the correct alignment. 
Once the door is open go through it. Klaus Kerner will then take Sophia 
away. Give him the stones and he'll leave you alone. Go to the right 
and use the ship rib on the wall. Go out and go to the submarine. 
 
SUBMARINE 
--------- 
 
Climb the ladder and go into the sub. Use the comm. and tell everyone move to 
the aft (or stern?) of the sub. Climb on down. Get the stein, bread, and 
cold cut. Use bread with cold cut. Use the stein to get the battery acid. 
Get the plunger. Climb back up to the conning room. Use the plunger on 
the control on the left. Use the acid on the strong box. Get stones and 
key. 
 
Go to the left of Sophia. Communicate with her. She'll pretend she's talking 
to Nub-Ar-Sal. Tell her to distract the guard or something. Go down and 
confront the guard. Sophia should knock the guard out cold with the bucket. 
Use the key on the emergency steering wheel. Now you have control of the 
submarine. 
 
Drive it so that it goes to the underwater dock. Getting the submarine align 
with the dock is a bit tricky, but not impossible. 
 
INSIDE ATLANTIS 
--------------- 
 
Sophia will be kidnapped. Get the ladder and use it on the steep incline. 
Get the ladder. 
 
Open the stone box. Get a rod and use a orichalcum bead on it. Instant 
light source! My memory's a little fuzzy here. But I think you need to use 
the three stones discs on the statue. Align the stones and give a orichalcum 
bead to the statue and the door will open. 
 
MAZE OF ATLANTIS 
---------------- 
 
You'll be presented with an overhead view. The rooms that a darkly shaded 
are ones you should explore. You'll see a "?" when you cursor over the 
unexplored ones. 
 
I can't tell you where EVERY item you need is. Just explore and you'll find it. 
I also can't tell you where every room is either. 
 
Go the Statue room. Use the ladder to cross the chasm. Get the stone cup. 
Go to the subway, not the one right next to the entrace, but the one all the 
way to the right. Get rib cage from skeleton. 
 
Go to Crab room. Use either the sandwich (which you made on the sub) or 
the piece of food (which you can get from fighting a guard) with the 
rib cage. A word about fighting the guards, they're push over. A few punches 
and it's lights out for them. Or you can simply run away from them. 
 
Use the crab trap on the pool of water in the Crab room. Wait until a crab 
gets trap and then get the cage. 
 
Get fish head statue. Go to Lava room.  Use stone cup on the lever (?). 
Use fish head statue on plaque. Get the cup full of lava. 
 
You should also come across a wheel spoke and a piece of gear. They're both 
located in separate rooms where you see a dismantled Atlantean robot. 
 
Go to Machine room. Use wheel spoke in the place where it's missing a wheel 
spoke. Use the cup of lava on the funnel way on top of the machine. Get those 
orichalcum beads. Remember to get the wheel spoke again; you'll need it later 
on. 
 
Now in your exploring you should crawl into a grate that leads to Sophia's 
holding cell. You'll be in the air vent and you can't open the vent. Use 
an orichalcum bead on the robot right next to the vent. It'll go and 
crush the guard (literally!). 
 
Go to the Sentry room. You should have in your possession an eel figurine or 
statue. (If you don't go find it first.) Use a bead on the fish mouth statue. 
Use a bead with the eel figurine. Use another bead on the fish mouth. 
 
Go to Sophia's holding cell. Pick up that piece of statue. Go to the canal. 
Let Sophia rot in her cell. 
 
CANAL 
----- 
 
Use the crab in rib cage on the octopus. Use a bead on the float's mouth. 
Use the Sun, Moon, or World stone on the spindle above the gates to open them. 
Explore the canal. You should see a stairway leading up to another room. Go in 
the room and you should see a crescent shaped gear. Get it. 
 
Now close the cupboard. Look at the cupboard. The diagram on it is VERY 
important, so copy it down. 
 
Go back to the canal and sail around. You should come to a doorway. Go through 
the doorway and you'll be in a room with a sentry. 
 
Use the chain with sentry statue's right arm. Use ladder on sentry. Look at 
chest plate. You should have FOUR gears and one bead. Arrange the gears 
following the cupboard's diagram. What you want to do is have the sentry's 
right arm come FORWARD. Then you can attach the chain to the bronze loop 
on the door. Rearrange the gears again so that the right arm pulls BACKWARD. 
This will open the door. Get the hinge pin on the floor and go through the 
door. 
 
Walk around and explore the door. Be sure to get the scepter from that 
room with the lava pit. 
 
Find the room with the hulking machine in it. Put an orichalcum bead in 
the mouth. Use the scepter and hinge pin on those slots. Push all the slots 
UP. Use the scepter or pin again on one of the empty slot. The hulking machine 
should start up. 
 
To stop it, push the levers down. The hulking machine will fall into the lava. 
Follow the bridge and you should be in a place with doorways and streams of 
lava. Go into each doorway until you're at the lava squares. Just walk across 
it. There will be a path no matter which square you step on. Walk down the 
stairs. 
 
Go into the building ahead. Use the Sun, Moon, and World discs on the spindle. 
Align them in this order: 
 
                                 Tall Horns 
 
                                   Full Moon 
                                          Volcano 
 
                          Noon Sun 
 
The top disc (Worldstone) should have the Volcano pointed to the RIGHT. The 
Moonstone should have Full Moon pointed to the Tall Horns. And the Sunstone 
should have Noon Sun pointed in a SW direction. 
 
END GAME 
-------- 
 
Klaus and the mad German professor will come out. They'll argue about who 
should try the godhood machine first. Klaus will take the first crack at it. 
Indy will remind him of Plato's tenfold error about putting how many beads 
into the machine. Either way Klaus will be transformed into a goat-like 
creature who will fall into the lava. The mad doctor will then want YOU 
to try it. Just convince him that if the experiment does work then you 
will be majorly pissed with him and will send him straight to hell. 
 
After that just stand back and watch the ending.